Filed under: photography, travel | Tags: blue mountains, cave, crystal, jenolan caves, nikon d90, photography
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Descending under the earth into the dark foundations of the mountains, a place of sublime beauty. These are some images I took with my nikon in the Orient Cave at Jenolan Caves.
Filed under: photography | Tags: blue mountains, echo point, fuji instax, katoomba, photography
The first shots from my visit to the Blue Mountains taken just before descending into the valley below.
Filed under: found images | Tags: educational slides, industrial landscapes, south western, usa
While in Melbourne I visited the chapel street bazaar and found an amazing stash of educational slides from the USA. I bought three sets and have scanned them all since arriving back in Sydney. My favorite is Other Industries of the Southwest (meaning other than agriculture). I find these types of images irresistible, the barren landscapes of industry and surreal impact of the imposed infrastructure. These are just a few of my favorite images from the roll of film.
These were shot on my lomokino during my last visit to Melbourne. I have so far only partially animated the scanned frames. The overlapping exposures however create their own fascinating effect as a still image. I have long been interested in the repetition of a single image, revealing the minute changes caused by time and process.
Filed under: photography | Tags: fuji instax, instant, photography, polaroid
The out buildings of the old Rozelle Hospital. Shot with a fuji instax wide.
Filed under: photography | Tags: lomo, lomography, photography, super sampler
Ilford HP5 taken with Lomo super sampler
Filed under: photography, Uncategorized | Tags: fuji, instax, photography, rozelle
Concrete monoliths of a human scale standing huddled together. Shots taken with fuji instax near Sydney College of the Arts.
Filed under: 2012 made in, craft | Tags: craft, fibre art, needlepoint, photography, tapestry
Another tapestry completed. Train tracks at Murchison East with the haze of dust obscuring and obliterating the detail and distance.
The Green Ray by Tacita Dean and a discussion of her process produced by the TATE. I have loved her work since first seeing her alabaster works at age 18 and feel very lucky to have seen a large selection of her works including the Green Ray at ACCA in 2009.
